Not a garment

And not even trying to be. I just revamped our appliance cozies (what?! you don't HAVE appliance cozies!?) and wanted to record the event.

These babies used to be light-blocking curtains at our old apartment. I brought them with us when we moved just in case...and found that the light-blocking liner was also water-proof and therefore useful for protecting this wooden buffet in our kitchen. The buffet itself deserves a much easier life but since we have no pantry, it is now responsible for housing our most essential appliances (the rest get dragged up and down from the basement), lunchboxes, tablecloths, and more. Too much more.

One curtain became the runner you see here (still lined) and the other curtain lost its lining, went through the washer and dryer (with no ill effects despite its dry clean only label), and became four cozies. One of which is lined up the wrong way.  Yes, I see that too.

I have fond memories of appliance cozies at my grandmothers' kitchens in the 1970s (quilted affairs with yellow and green pears, perhaps) and still think they are an easy way to keep tools dust- and oil- free in an active kitchen like ours. Throw them in the wash once a year and feel like a domestic heroine!

From my other life

My real job is teaching middle school French. So when I saw this fabric at the end of last school year, I just allowed myself to give into temptation. I still maintain that I will never wear holiday pins (you know, the pumpkin in October, the turkey in November...), but obviously my credibility is drying up with this fabulous new garment:

Behold the Lisette market tunic (Simplicity 2211) with a more basic sleeve (I copied from my Schoolhouse Tunic pattern), sewn from Timeless Treasures Paris Motif.  

I don't wear a lot of white but I feel this top will have its moments at the annual French fête, various department gatherings, and maybe a professional conference or two! My only question is whether to wear it to Back-to-School Night (i.e. Parents Night). What do YOU think?

Painted desert lace shawl

I knit a shawl back in 2002 that had me swearing up and down the beaches of Block Island as I dropped numerous yarnovers and attempted to rip out rows that were 300+ stitches long. It was a beauty, though, and one I wore almost daily for many, many winters. As said shawl has become mangy in the intervening decade-plus, I wanted to make a new one that would preserve its best qualities - a dash of color in the winter, a flexible triangle shape for various drapings and knottings - but without all the vacation cussing. 

And so, here is the Painted Desert Lace Shawl!

I saw this on display at Webs and decided to have a go at it in a different colorway. It was easy to knit (although I thought I was knitting up and not down for most of the project! Luckily this did not matter...) and the yarn was a pleasure to work with. The yarn softened up nicely in the washing and straightened up well for the blocking. With my sole skein, I was able to knit the shawl exactly as described and pictured. My only concerns are that I have some curling at the edges where I cast off and I wish it were a bit bigger, since it's a tad bit short to knot it in the back after draping the point down my back and bringing it around the front. 

Ready for winter now but happy to wait several months for its arrival!

Pintucks, voile, et a whole lotta flowers

There was a time in the late 80s when I owned a LOT of floral clothing. I had a navy floral mini-skirt, a beige floral jumper (remember those?!), and a Liberty-type button-down floral shirt that I bought in France with my bourgeois host mother's approval. 

Now it's been awhile and I found myself gazing longingly at the floral-patterned view of Simplicity 2365. The sewists of Pattern Review rather liked this one, and it seemed promising to me for two reasons: pintucks in the front (modern! on trend!) and roll-up sleeves with tabs (practical! yet something new to sew!).

After my big birthday, I decided to treat myself to some delicious fabric. This here is Budquette in Nightfall voile from the Emmy Grace collection by Bari J Ackerman for Art Gallery Fabric. What a mouthful! Let's just call it yummy voile for short. The fabric is amazing - super-soft, completely forgiving to sew with with, intricately patterned. Enough to make a girl who hasn't worn florals in a long, long time stop and think...why not?

About the pintucks. If you've never sewn them before, you should! But you must practice first. I was so much better the second time that I had to go back and rip out all five pintucks from the first time...which I was only able to bring myself to do at the very end, when it was twice as hard. Here's what I learned: don't attempt to mark the full pintuck lines on the fabric because it's $%#@ impossible. You're better off making a little snip at the top where the line begins, and a chalk mark at the end. Then, if you're using a thin fabric like this one, you can just fold the fabric in place and sew. But here's where I messed up. You need to sew seriously near the fold - as close as you can get without going over the edge. I used the inside hole of my presser foot as the guide, keeping the edge of the fold at the other end of the view hole while I sewed. If you make your pintucks too deep as I did at first, you get a terrible pooch at the bottom by your tummy. Don't do it! Though I regret not having photographed my botched job for your amusement.

This top fits great in a size 6 (I'm back to making the smallest size I see after my last mishap), although the voile is a bit lightweight which discourages its flowing seamlessly over the bum.

My Turn: Schoolhouse Tunic

Everyone and her auntie has made the Schoolhouse Tunic, and now it's my turn. My sis got me the pattern a few years ago when I started to make tunics, leggings and boots my teaching uniform. While I've found a few good narrow-wale corduory tunics on sale at Boden, I really want to make my own great ones. How hard can it be, right? My standard favorite has been the Lisette Portfolio tunic but I still find it challenging to identify patterns that make this great garment the way it should be - close-fitting, flattering, long-sleeved, and tush-concealing. On the latter point, I want to be more specific: absolutely no visible derrière, but also no fabric bunched up above said location.

I chose some koi voile in plum by Rashida Coleman-Hale, which features many of my new and old favorite colors: navy (new to me this year), fuschia (beloved since second grade) and puce/chartreuse (wonderful but hard to purchase accurately since I mostly shop online). What a winning combo! The deep colors offset the sheer nature of the fabric in a great way. For some reason until now I've mostly purchased voile and lawn in very light shades.

Having just been burned by sewing a too-small sleeveless top, I tried to be unstinting with my true size and made the 6/8. It fits like a small pup tent. But doesn't it look great on the hanger?

Mushroom magic

I'm finally getting to some sewing that I meant to finish years ago, when my daughter had less surface area and a little fabric went a lot further (more on this here). This was initially purchased for a whole set, before I knew I'd have a child who'd refuse to wear anything but "skinny pants" no matter the weather - depths of winter, the hottest, sweatiest day of summer, and everything in between.

In any case, I'm setting aside the leftover shot cotton that was to have been pants and saving it for something else. And here's the top, McCalls 5568, in all its mushroom excellence:

How I ended up with two identical patterns (this one and M6059 are the same but for elasticized pocket tops) is beyond me but probably had something to do with the fog that was 2010. It's looking a little big, which is fine by me because summer's half over (waaaah, says this teacher!) and I want to see this get a full run in 2015, too.

I love the options for contrast fabric in this style of top and chose a raspberry shot cotton for the yoke. My model chose a rust-toned pair of skinny pants to wear, which highlights the other dark tone in the fabric. The only drawback of this model in my mind is showing so much skin in summer which requires applying tons of sunscreen.

Summer lawn flowers

I received a beautiful piece of Alexander Henry cotton lawn for my big birthday, but just one yard. This proved a bit of a challenge when choosing a pattern that would cover either my upper or lower body. I ended up going with the first thing I found in the house, Simplicity 4583. The pattern was favorably reviewed on Pattern Review and I knew I'd made it at some point in my life as a dress. The fabric looked great once lined with unbleached muslin - the colors popped just a bit more and the lining gave the lawn a bit more structure, which I appreciate as I age.

Usually I find that commercial patterns are way too big on me, so I was a bit dismayed when I tried on the top before inserting the zipper. Yikes! Time to lay off those brownies, people. I needed to rip out my side seams from the band down and pare my zipper seam allowance down to the bare minimum. I also found the whole part above the band to be a bit too wide for my shoulders and bust. Oh, and the darts hit a bit high on me, too. But other than that, really just perfect. And I do still love the fabric.

From the front

From the back - a bit dicey in the midsection

The dress that wasn't

I'm back! I've been sewing lots over the past year but only for Liloup (my Etsy shop). Alas, the shoemaker's children have suffered as a consequence.

Years ago, as in, back when my daughter was in a snap n' go carseat and could be driven to another state to spend a few hours chilling in her stroller while I devoured a fabric store, I bought this great fabric to make her a dress. It's from Portsmouth NH and the orange-ish shot cotton at the yoke is heavenly. Based on the amounts of fabric I bought, I can surmise that at the time, I was thinking that I had plenty of time to make something for her in a size 1. It was 2010, after all.

Fast forward three years. The kid's about to turn four and that fabric is still sitting around. Happily, a small post-it note stuck to the pattern at least told me what I was supposed to do with it. And there were was still enough fabric to make a blouse before her birthday:

The excitement that everyone should display when receiving a homemade gift

Forgive the flash and enjoy seeing the fabric very, very clearly.

The specs: McCall's M6059 in size 4 (the motivation to finally make this was that this is the largest size in the pattern, folks!). Easy to construct but still took some time to make elastic casings for the pockets, gather the yoke, etc. I love gathers on girls but man, are they slow and messy.

By the time I picked her up at daycare that afternoon (she wore my outfit to school the very next day, people! I love this kid!), she had pared it down to just the tunic, no undershirt. Hey, it was at *least* 40 degrees out, so...  It gaped a bit under the arms but I don't think she minded a bit.

Spring Kerchief

I've used up my leftovers from the hedgehog sweater to make a new triangle-shaped scarf.  My old triangle-shaped scarf, lacy and fuschia, is a bit ratty from daily wear all winter.  I still remember the summer of 2002 when I spent a week swearing like a sailor on the beaches of Block Island as I knit it. Triangle-shaped scarves are great to wear, because they loop so well around the neck without bulking up, but those long rows are never ending.  Especially when you've made a mistake in a lace pattern and are ripping backwards into no mans land.

This time, I went for something simpler and got a great start on it during a family vacation to Florida.  Have you noticed that I love knitting wool on warm beaches, preferably with a little sand and sunscreen mixed in?  Then you need to know that I was raised by a mother who carded her own wool and picked her own fleeces on the beaches of Martha's Vineyard throughout the 70s and 80s.

Snow below suggests that the Spring part of this Kerchief is yet to come...

The pattern is Seattle Yarn's Spring Kerchief by Ruth Bowen, which I found on Ravelry.  Their advanced search tool, where you plug in how much yarn you have and what you want to make, and it spits out free patterns, is so so glorious and amazing.  I nearly finished three partially used-up balls of Rowen Felted Tweed DK.  This pattern is great but you need to be psychologically prepared for the cast-off ruffle row, which took me almost 4 hours (which is to say: a faculty meeting, a drive to my parents, part of The Help - so bad that I couldn't finish it - and one of the kids' weekend naps).  I wasn't tracking my time on this project until then, but I think that row represents a good chunk of it.

Ballet skirt

In celebration of having an accepted offer on our home, I've busted out all my sewing gear and allowed it to overtake our living room once again.  Ahhh, the soothing feeling of knowing your ironing board and serger are ready at a moment's notice and not buried in your children's bedroom closet just when you really need them.  Let's just hope this deal goes through and I am not forced to undo everything for an open house or showing in the coming weeks!

Now, down to business:

Sassy Miss L is taking ballet classes and it is a HOOT.  We are slowly gathering the right "gear" for this experience (leotard, slippers, tutu, sparkly shoes, tights...), including the newest addition: a ballet skirt.  I took this tutorial and added some vintage fabric from my parents' attic to get this:

I love the happy coincidence that the flower overlaps exactly to continue the pattern across the front.  And that it breaks up that otherwise unending stretch of light pink from head to toe.  It's 9" long so that she won't get caught up in it or trip, and I cut the fabric about 30" around.  I was shocked to see that her waist elastic measurement is the same as what I usually cut for a 6 month old - how can that be?!  The shaping of the front was done with my snazzy new curved ruler, as suggested in the aforementioned tutorial.

Now it's just time to dance, dance, dance.

Kindle cozy

Just whipped this up, a belated Hannukah present for my husband (he got the Kindle, too).  It's from this tutorial, which is perfectly easy to follow.  Basically you rip apart a binder and use its chipboard to create the bones - then you cover it in fabric.  An old headband serves as the elastic to keep the Kindle in place and to close the whole thing up.  Doing the math to figure out all the dimensions takes awhile, as does cutting through chipboard with an Xacto knife.  I didn't love machine-sewing right next to chipboard, but it definitely works!

Are you wondering about the fabric choice?  I took out a big heap of all my "manliest" fabrics for hubby to choose from - and one fabric for sewing a baby present.  Guess which one he chose?

Here it is all folded up, held shut with a wraparound elastic

You can prop up the Kindle for reading, which seems useful

Faux cable cap

What a treat to knit something quick and lovely for a friend.  This chemo cap comes from this pattern, which I found on Ravelry (do you know Ravelry?  It's like Facebook for knitting geeks.  I wish they had one for sewers).  It's knit from Classic Elite's Inca Alpaca in blue dusk and I'm hoping it will be absorbent and itch-free for its wearer.  I made the whole thing en route to my parents' last weekend and while lounging during the kids' naptime - maybe 5 hours on the needles.  The faux cable is satisfying and easy.  I added 10 stitches to my cast-on to accommodate the thinner yarn I chose, and knit until I was out of yarn so that I'd have the tallest cap possible to cover the whole hairline.

The Elegance of the Hedgehog

It's been so long since I knit something for myself that I can't actually recall what my last project was...something that predates both my Ravelry site and our computer's digital photo library, apparently.   Last winter, I was lucky to receive some Rowan felted tweed DK yarn for the purpose of making my own Paper Dolls sweater.  The pattern's author is from Edinburgh and blogs widely on the history of textiles, British wool production, knitting over the ages, and more.  Definitely a more intellectual read than most knitting blogs.

I love Kate Davies' writing but I did not love knitting up her pattern.  Everything took a terribly long time (casting on alone exceeded a two-hour car drive, which is pretty much a month's worth of knitting by my current standards).  I made matters far too complicated by trying to use a different yoke color pattern (hedgehogs) than her original pattern (paper dolls).  This meant adding lots of stitches in order to do the hedgehog repeats, and then having to fudge all of the yoke decreases to get back down again.  I guess I was just mad with desire over the versions I'd seen on Ravelry.

The sweater features two of my favorite colors (apple green and purple) and fits like a glove.  I stretched it a bit while blocking to try and give myself some more breathing room.  The patterning above the hedgehogs is very warped-looking, which I can't explain.  Rowan's yarn left fibers everywhere I knit but was very forgiving when it came time to block and dry.

While hedgehogs are a bit childlike for someone heading precipitously towards 40, I think they're sweet.  Since my classroom is uncontrollably overheated, I'm hoping that a short sleeved sweater will be a wearable garment as winter approaches.  When the temperatures dip below the mid-80's here, I will include a picture of me wearing my hedgehogs.

P.S. Have you read The Elegance of the Hedgehog?  I read it in French but didn't love it.  Maybe that should have told me something about knitting this sweater!

Big robe-y + blouse for me

My husband agreed to buy this vintage-y cotton floral lawn for my birthday, even though I'm pretty sure he thinks it's hideous.  I was able to squeeze a blouse for myself and a dress for Miss L out of two yards.  I know that some sewists consider that ridiculous ("I always chuckle inwardly a bit at the people who walk up to the cutting table with a pattern envelope in hand and ask for 2 3/8 yards of something. Newsflash, Everyone: It’s not going to kill you to pony up and buy that extra 1/8 of a yard and call it an even 2.5 so you have a little room for shrinkage/error!!!" from Rae's blog post, for example...) but I love using up every last scrap of something.  Probably because my children's closet is bursting with dozens of fabric scraps already, leaving little room for their toys.  The fabric (Robert Kaufman's London Calling 2 in vintage) is something I saw and loved in this post.  I thought the fabric would be a good match for the Lisette market blouse, which I made last year and wear all the time.  The best compliment I've received on that blouse, or on anything I've sewn for myself: "Is that Boden?  What a cute top!"  Personally I don't love hearing, "Did you make that?"

The original market blouse from last summer

Market blouse 2

This time I cut the blouse 2" longer (faithful readers know that I feel that all tops are too short these days, even though I have the World's Shortest Torso) and lengthened the armbands by an 1" to stop them from cutting into my upper arms.  The crowning achievement here is that the center front button band matches the pattern exactly, and is thus invisible.  

Having used up all my precision and fussiness on the blouse, the dress was in for a bit of a rougher ride.  It's the Oliver + S birthday party dress pattern in a 3T to maximize wear.  The dress is too long but otherwise just fine for a two year old.  Here she is modeling it at 6 a.m. this morning:

This pattern is ranked as rather difficult, and there are lots of fancy details: front box pleats, rear buttons, faced hem.  I used a different fabric for the hem since I was cutting it so close with my yardage, and had a very hard time getting the hem to lay flat - essentially, I ended up gathering it in places and just stuffing it in.  Here's a peek at the contrast hem and box pleats, which you sew inside to keep in place after washing (really hoping that works or this dress is not going to get much wear!).

The button tab is in beige linen (left over from big brother's pants) and the buttons are pale pink.  Don't ask about the seam running down the middle of the center pleat, okay?

Now I just need to remember never to wear my blouse on the day she's in her dress!

Badminton Dress: a new 'robe-y'

Having slogged through the patching of many pairs of jeans, and having sewn up all my remaining Liloup summer sets (that I cut out two months ago, ahem...), I treated myself to sewing a dress for my two year-old today!  Over the past few months she's become very opinionated about her clothing and will reject the outfits that my husband or I pick out for her in the morning.  Over the past week or so she's become very interested in wearing "robe-ys," her take on the French word for dress (robe).  As in, "You have a big robe-y, Maman!"  or "You have robe-y, I have robe-y.  Same, same!"  I guess this is part of her developing gender identification.  Her favorite morning activity involves putting on a robe-y (usually over a teeshirt and pants, at our insistence) and listening to her new, favorite musician Vanessa Trien.  Then she'll swish the hem of her dress around while dancing to any number of songs about barn animals and driving cars.

Enter the Oliver + S Badminton Dress.  I love these patterns.  They are just classy, in this way that makes regular patterns look downright tawdry, and fun for sewists like me who get into geeky details.  While I could never pay $16 for a pattern, certain generous family members indulged me for my birthday (thanks, Dad!) and paired with some new Denyse Schmidt fabrics from JoAnn (Meadowlark, cream circles on orange; and Aunt Edna, multicolored circles on burgundy), I was ready to go.


I do have a few criticisms of Oliver + S patterns, which surely reflect my familiarity with mainsteam patterns' conventions.  Seam allowances are 1/2" not 5/8", which matters because my presser foot doesn't have a mark at 1/2".  Cutting layout is buried in the tissue pattern instead of printed on the directions sheets.

These problems were trifles compared to the serious errors I made from not reading the directions carefully, though.  Suffice to say that I had the opportunity to redo the entire ribbon casing right before attaching the neck binding.  And that I did the neck binding twice.

But wasn't it all worth it for THIS?




And this!  I don't love how the darker color shows through the hem but the scalloping is a pretty grand effect for little effort.  I made a stitching guide out of a cereal box which helped me mark where to stitch and which I used to press the hem when it was done.